Try, Try Again

“Okay Gus, it’s Friday night, we got a bottle of whiskey, a Tony Montana-sized-amount of coke and a laptop. Let’s come up with some reboot ideas!”

“Beautiful Stan. What cha got?”

“Alright, hmmmm. People liked Dinosaurs, right? That was a popular show in the 90s. Let’s bring them back.”

“Umm, I’m pretty sure they all died in the last episode Stan. Killed by a sudden ice age brought about by environmental pollution or some shit.”

“Who cares G-Dawg? Easy fix. They find a time machine and travel to our present time and try to live like normal dinosaurs in the modern world, trying to go to school and hold down jobs whilst wearing shirts but no pants. They have a stone house and animal appliances. Wait, was that them or The Flintstones with animal slave labor? Who cares, we can still make it work!”

“Alright Stan, I’ll put that in the ‘maybe pile. What’s next?”

“Okay, okay. Let’s see….Ooh! How about we reboot ALF? Everybody loves that little scamp and his acerbic sense of humor!”

“Well, in the last episode, he was captured by the government and it was implied that he was going to be experimented on and dissected.”

“Really? Wow, that’s some heavy stuff for a kids’ show about a small, fuzzy, adorable alien. That was the thing that drew everybody into that show! Tell you what, let’s say the government does experiment on him, but they turn him into a full-sized adult male? That way, we bring the nostalgic fans in with what they think they want, but instead we give them what they don’t want, there by telling them what they really wanted all along!”

“That doesn’t make any sense Stan.”

“Yeah it does! And as an adult male, he works as a P.I. using his knowledge of Melmac and what cats taste like, to solve murders! We’ll call it Gordon Shumway, PI!”

“Who’s Gordon Shumway?”

“Duh G-Man, that’s ALF’s real name.”

“So why do they call him ALF?”

“Sigh, it stands for Alien Life Form. You think ET’s name was ET? Nope, his name was Barry Schwartzberg. Get with it man.”

“Anyway, enough about ALF. But you do seem to be really stuck on rebooting tv shows with puppets.”

“Puppets! Yes! Brilliant! We’ll bring back Today’s Special? But make it edgier!”

“…Stan, only you and maybe five Canadians in their late 30s remember that bullshit show.”

“Exactly. This is the 21^st Century G-Wheezy, the age of the Millennials. The more obscure and pointless shit they know, the cooler they are in the eyes of their shiftless brethren. We could make it a web-only show. All of the puppets will be addicted to opioids, (so topical! “Ripped from today’s headlines!”) the mannequin guy is a gigolo, but only for men who are into stiff pieces of wood (get it?)  and the black chick is an inept hitman. We’ll make that shit viral!”

“These ideas are insane Stan. I love them! But tell me, why are we doing reboots of previously existing properties? Are the legends true? Has the prophesy come to pass? Is Hollywood out of original, creative ideas?”

“Of course not! Why just look at Jupiter Ascending. That was very original and creat…actually, forget that one. Rebooting previous franchises means we already have a built-in audience for whatever it is. Plus, there’s always the nostalgia factor. No matter how garbagy something was when people were kids, they only remember it with fondness. That, combined with bringing in a new audience and pushing merchandise is why you’ve got Michael Bay rebooting Transformers and Teenage Mutant Ninja Turtles.”

“Oh, that seems kind of soulless and manipulative. Don’t you think? Aren’t we here to create fresh, innovate and entertaining works of art for people to enjoy? Or are we here to just make easy money and take sexual advantage of naive, innocent young women looking for their big break in ‘Tinsel town’?”

“Wait. Who hired you again?”